Basically, it looks like crap, and you just have to accept that. It’s also been very badly encoded on the DVD and suffers a number of digital artifacts like aliasing and macroblocking. Although anamorphically enhanced for 16:9, the footage is washed out, hasn’t been color timed and is covered in dirt and print damage. The ‘Wild at Heart’ deleted scenes are provided in very cruddy workprint quality. He overshoots all of his movies, with the intention that he’ll pare them down to the essentials in post production, when he’s determined which ideas “stick” and which aren’t necessary. Part of David Lynch’s working method is that he likes to experiment on set and to film just about any crazy ideas that come to mind whenever he feels inspired. Most significantly, it also included 75 minutes of deleted scenes from ‘Wild at Heart’. The Mystery Disc held an assortment of odds and ends, such as some short films that Lynch made for his web site and a montage of his early experimental work. 1’ and a so-called “Mystery Disc.”Īs far as I’m aware, ‘Industrial Symphony’ and the Mystery Disc still remain exclusive to this ‘Lime Green Set’. The remaining discs contained the ‘Eraserhead’ soundtrack CD, some new featurettes for ‘The Elephant Man’, Lynch’s 1990 concert film ‘Industrial Symphony No. Those latter movies were the official studio DVDs, simply inserted into the box set.
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I guess that Lynch just liked the color lime green that day.įor this ‘Lime Green Set’, Lynch consolidated DVDs that he had previously sold separately (‘Eraserhead’, ‘The Short Films of David Lynch’ and the animated series ‘DumbLand’), along with some studio discs that he was able to license (‘The Elephant Man’ from Paramount, ‘Blue Velvet’ and ‘Wild at Heart’ from MGM). Before you ask, no, other than the color of the box it came in, no particular explanation was ever provided for that name. The most ambitious product offered was a ten-disc DVD collection called ‘The Lime Green Set’. Among the products sold were DVD editions of ‘Eraserhead’ and his short films.
He established an online store on his personal web site where he attempted to self-distribute content through his Absurda label.
In 2008, Lynch actually released that extra footage, but did so on an obscure and expensive DVD that few have seen.Īfter a series of bad experiences that soured him on working with the Hollywood studio system again, Lynch retreated to the internet in the mid-2000s.
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He eventually trimmed that down to 125 disjointed minutes, but fans wondered for years what the longer version of the movie may have looked like. Despite working from short novella that could be read from start to finish in a couple of hours, the director greatly expanded his script and shot enough material that his first rough cut ran over three hours long. For his 1990 film ‘Wild at Heart’, Lynch took the opposite approach. Typically, when a filmmaker adapts a book to the screen, he or she must condense the text into a manageable length by removing inessential scenes or storylines. David Lynch has never been accused of doing anything in a conventional manner.